(noun) nonchalant absurdity with a dash of embarrassment.

(verb) to be shark bitten.

(adverb) in a manner that is nonchalantly absurd and embarrassing.


18 October 2011

Josh Keyes: Migration



Josh Keyes
Migration
Solo Exhibition

October 22—November 19, 2011
Opening Reception:
Saturday, October 22, 7—9pm


[PRESS RELEASE]NEW YORK, NY (September 20, 2011) – Jonathan LeVine Gallery is pleased to present Migration, new works by Portland-based artist Josh Keyes, in what will be his second solo exhibition at the gallery. Migration features a series of paintings on panel, drawings on paper, and a ten-foot canvas entitled Stampede, the artist’s largest painting to date.

On the subject of his show title, in the artist’s words, “Migration and displacement were ideas that continued to surface in my mind while I was painting these images. I was thinking about the effects of climate change and the way some ecosystems that thrive in a specific range of temperatures—like polar or tropical climates—are experiencing a shrinking of their boundaries. Ecosystems that were separate are now slowly merging and overlapping one another, causing disruptions in the food web and increased competition for food and space among species. Some become displaced and are forced to migrate, in order to survive.”

Keyes’ imagery in this exhibition pushes the potential consequences of ecosystem clashing to a climax that wavers on the surreal. A bright orange tiger rests contently on top of a graffiti covered dumpster, staring intensely at a pack of wolves, scavenging whitetail deer scraps from the tiger’s morning hunt. Below the smooth floodwater surface, glides a great white shark. A pair of giant pandas, marooned on a submerged jeep, watch with curiosity as the shark’s fin circles by. Deer, elk, wolves and other animals form a stampeding herd, charging through a city street, leaving upturned cars and ruptured pavement in their frenzied wake.

Keyes’ work often depicts various species of wildlife isolated within settings that foreshadow a theoretically threatening dystopian fate. His signature fragmented landscape, surrounded by a sea of empty white space, represents the universal unknown as well as the disconnect between contemporary society and the natural world. Through his work, Keyes explores timely ecological themes that convey his deep concern for the environmental crisis our planet faces. His imaginative interpretations of the long-term effects of global warming include aspects of climate change, extinction, the decline of natural resources and threat of rising sea levels. All of these issues are integrated, and woven throughout the allegorical fabric of the work in a resounding visual study on causality.

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